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We are required to create stories, evoke emotions and capture details through picture and sound. To do so well, we need to shape light, compose images, record audio, scout locations, and select and prepare talent amongst dozens of tasks unseen to the viewer. Whether we operate as a crew of one or one hundred, we always have the same basic responsibility: One of the main reasons we loved the camera was that it was able to shoot at extremely shallow depths of field, allowing us to SmallHD AC7 LCDLCD-SDI Field Monitor our subject from its background and foreground and give our video that coveted cinematic feel. One of the first challenges we encountered was its tiny, immovable, LCD screen, which made it difficult to achieve focus, confirm color balance, and properly set exposure, thus yielding inconsistent end results.

It also lacked the meters and functions of even the most basic prosumer video camera, so we needed to find a workaround that would complement our production style. We quickly discovered that the better solution for our camera issues was to use an external field monitor. We started shooting with magnification loupes and camera-attached hoods, which worked great as a sunshade and helped us achieve accurate focus, but we were still stuck using the inadequate camera display. Almost every motion picture and television production crew uses high-quality, external field monitors, which take a lot of the guesswork out of image capture.

The monitors can be positioned on or off camera to accommodate camera operators, camera assistants and clients, making them extremely versatile.

SmallHD AC7 - OLED - SDI & HDMI - " Field Monitor: : Camera & Photo

They also include many functions and abilities SmallHD AC7 LCDLCD-SDI Field Monitor on-camera displays lack or are too small to utilize properly. Why do I need a field monitor? A field monitor is an external, portable, battery-powered display that replicates the picture being recorded to camera. Most field monitors available SmallHD AC7 LCDLCD-SDI Field Monitor range from five to nine inches in screen size, making them two to three times larger than most camera displays. If you have ever been a solo camera operator interviewing someone, you understand how difficult it can be to monitor a picture while conducting an interview.

An external field monitor is a crucial piece of gear in these situations, allowing you to observe whether your talent is drifting out of frame or focus; it can mean the difference between a usable and unusable take. We also regularly use jibs, sliders and stabilizers that require the use of an external monitor to direct camera movement.

Focus on Field Monitors - Videomaker

However some of the newer, higher-end LCD panels integrate IPS In-Plane Switching technology, resulting in a higher contrast ratio and better, more accurate overall color and better image quality. The extra brightness of OLED monitors make them a great choice for outdoor production. When shooting with low-contrast, low-saturation picture profiles or Log settings so as to record the most color information and dynamic range possible, the results is often a picture that is very desaturated and unappealing, making it challenging to determine whether a shot is SmallHD AC7 LCDLCD-SDI Field Monitor exposed and in focus.

Most monitors have tools like waveform monitors, histograms, focus peaking, zebras and false color, allowing us to determine proper exposure and focus when shooting with a flat image. SmallHD AC7 LCDLCD-SDI Field Monitor unlike its SmallHD competitor, the DP4, the Marshall includes tactile, programmable buttons, making toggling between these features quick and easy. Shooting a flatter picture also requires us to add that color and definition back into the image during the SmallHD AC7 LCDLCD-SDI Field Monitor process where we commonly use LUTs Look Up Tables and other color software. A new generation of monitors, like the Convergent Design Odessy7, now have the ability to upload the LUTs we use in post into its internal memory, allowing us to toggle between the image camera is capturing and a version with the LUT applied.

SmallHD AC7-LCD-SDI 7-inch Affordable 8-bit HD Monitor with SDI Input

This is really helpful when working with clients hoping to view a more accurately colored SmallHD AC7 LCDLCD-SDI Field Monitor. Get connected HDMI and SDI are the two most common interfaces for connecting camera and monitor; both send video and audio over a single cable. Most cameras available today include an HDMI output micro, mini or full sizewhile only professional and broadcast cameras can connect SmallHD AC7 LCDLCD-SDI Field Monitor the more robust SDI connection. It is a good practice to test your cables before every shoot and to invest in high quality, sturdy cables for production use. Manufacturers assume that as a camera user, you already own a collection of batteries and chargers, so instead many offer additional battery plates that allow you to use the Canon, Nikon, Sony or Panasonic batteries you already own.

This can be difficult to color grade and is not recommended for broadcast level work. A relatively new trend is a field monitor combined with a video recorder, which captures broadcast-quality, uncompressed video.


Manufacturers like Atomos, Convergent Design and Video Devices have SmallHD AC7 LCDLCD-SDI Field Monitor the way in this market, offering options for recording uncompressed eight and bit high definition video all the way up to 4K Raw video. This technology is only in its infancy, but has the ability to really unlock the potential of many low-cost cameras. Most DSLRs include consumer level? They also allow you to use professional, phantom powered microphones, allowing you to dramatically increase the quality of production audio capture while SDI inputs allows for higher bandwidth video recording. How do we choose?

There are so many details to consider when making any technology purchase, but our first consideration is how often we will use the gear. Is it something that will be with us on every shoot or will it often sit on the shelf?


For something as critical as a field monitor, it makes sense to invest in a unit that was compact, bright and accurate, could stand up to regular wear and tear and had great user reviews. If the monitor is too bulky or requires lots of prep time, it will likely stay in the camera case or at the office. Most manufacturers make great products these SmallHD AC7 LCDLCD-SDI Field Monitor, so often the choice boils down to personal preference rather than pure technical specs.


The majority of monitors available today should easily suffice for the beginner and intermediate user. Certain projects SmallHD AC7 LCDLCD-SDI Field Monitor require some specialty features available only on niche products, but many of the entry-mid level monitors should be suitable for most of our daily production projects. We all have different needs and expectations from our field monitor, but our end goal is always to capture the most beautiful images and engaging stories possible. To do that, we need gear that fits our budget and, equally as important, our production style. The AC7-LCD Models include an IPS LCD p display.

Software includes Focus Assist, False Color, DSLR Scale, Frame Guides, 2x Zoom and more. The SmallHD AC7-LCD is a versatile 7-inch field monitor in that it appeals to DSLR and Cinema Camera HDMI; SDI; Component; Composite; See All Specs.

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